## Monographs Art, Auckland City. _Len Lye : A Personal Mythology : Paintings, Steel-Motion Compositions, Films._ Auckland City Art Gallery, 1980. Braak, Menno Ter. _De Absolute Film._ W.L. En J. Brusse, 1931. Buchan, Suzanne. _Pervasive Animation_. Routledge, Taylor & Francis Group, 2013. Elder, Bruce (R. _Body of Vision : Representations of the Body in Recent Film and Poetry_. Wilfrid Laurier University Press, 1997. Elder, Bruce (R. _Harmony + Dissent : Film and Avant-Garde Art Movements in the Early Twentieth Century_. Wilfrid Laurier University Press, 2008. Feiersinger, Luisa, et al. _Image - Action - Space : Situating the Screen in Visual Practice_. Walter de Gruyter GmbH, 2018. Flavin, Dan, et al. _Dan Flavin, Lights_. Hatje/Cantz, 2012. Gallery., Hayward, et al. _Film as Film : Formal Experiment in Film, 1910-1975_. Arts Council of Great Britain, 1979. Garelick, Rhonda K. _Electric Salome : Loie Fuller’s Performance of Modernism_. Princeton University Press, 2007. Grace, Whitney. _Lotte Reiniger : Pioneer of Film Animation_. McFarland & Company, Inc., Publishers, 2017. Grant, John. _Masters of Animation_. Watson-Guptill Publications, 2001. Greenewalt, Mary Elizabeth. _Nourathar : The Fine Art of Light Color Playing_. Westbrook Publishing Company, 1946. Huhtamo, Erkki. _[[Illusions in Motion]] : Media Archaeology of the Moving Panorama and Related Spectacles_. MIT Press, 2023. Irish Museum of Modern Art (Kilmainham, Dublin, et al. _In Praise of Shadows._ Charta, 2008. Marin, Louis, and Mette Hjort. _To Destroy Painting_. University of Chicago Press, 1995. Maur, Karin Von, and John William. Gabriel. _The Sound of Painting : Music in Modern Art_. Prestel, 1999. Munch, Edvard, et al. _Edvard Munch : The Modern Eye_. Tate Publishing, 2012. Museum of Contemporary Art (Los Angeles, Calif.), et al. _Visual Music : Synaesthesia in Art and Music since 1900_. Thames & Hudson, 2005. Museum of Modern Art (New York, N.Y.), et al. _Inventing Abstraction, 1910-1925 : How a Radical Idea Changed Modern Art_. Museum of Modern Art, 2012. Orgeman, Keely, et al. _Lumia : Thomas Wilfred and the Art of Light_. Yale University Art Gallery, 2017. Palm Springs Art Museum, Host Institution., et al. _Particles and Waves : Southern California Abstraction and Science 1945-1990_. Palm Springs Art Museum, 2024. Powell, Anna. _Deleuze, Altered States and Film_. Edinburgh University Press, 2007. Ravetto-Biagioli, Kriss. _Digital Uncanny_. Oxford University Press, 2019. Russett, Robert., and Cecile. Starr. _Experimental Animation : An Illustrated Anthology_. Van Nostrand Reinhold Co., 1976. Stein, Donna., and Corcoran Gallery Of. _Thomas Wilfred : Lumia, a Retrospective Exhibition_. [Corcoran Gallery of Art], 1971. Taberham, Paul. _Lessons in Perception : The Avant-Garde Filmmaker as Practical Psychologist_. Berghahn, 2018. Wees, William C. _Light Moving in Time : Studies in the Visual Aesthetics of Avant-Garde Film_. University of California Press, 1992. Wilfred, Thomas. _Projected Scenery : A Technical Manual_. Drama Book Shop, 1965. Wyn Evans, Cerith, et al. _Cerith Wyn Evans_. Phaidon Press, 2023. Zielinski, Siegfried. _Deep Time of the Media : Toward an Archaeology of Hearing and Seeing by Technical Means_. MIT Press, 2006. Zielinski, Siegfried. _Variations on Media Thinking_. 1st ed. Vol. 52. Posthumanities. Minneapolis: University of Minnesota Press, 2019. [[Light-Play and the Aesthetics of Avant-Garde Film]] Wees uses the term light-play in a similar way, analyzes Erigina's: **“Omnia, quae sunt, lumina sunt”** touching on Moholy-Nagy, Wilfred, and an extended section on Jim Davis. # Extended Cinema Bibliography - Works on Avant-Garde Film Art in Cinema: A Symposium on the Avantgarde Film. Edited by Frank Stauffacher. San Francisco: San Francisco Museum of Art, 1947. Reprint. New York: Arno, 1968. - The Avant-Garde Film: A Reader of Theory and Criticism. Edited by P. Adams Sitney. New York: New York University Press, 1978. - Barrett, Gerald, and Wendy Brabner. Stan Brakhage: A Guide to References and Resources. Boston: G. K. Hall, 1983. - Brakhage, Stan. Brakhage Scrapbook. Edited by Robert A. Haller. New Palz, N.Y.: Documentext, 1982. - ———. Film at Wit's End: Eight Avant-Garde Filmmakers. Kingston, N.Y.: Documentext-McPherson, 1989. - ———. Metaphors on Vision. New York: Film Culture, 1963. - Clark, Dan. Brakhage. New York: Film-Makers' Cinematheque, Monograph Series No. 2, 1966. - Cornwell, Regina. Snow Seen. Toronto: PMA Books, 1980. - Curtis, David. Experimental Film: A Fifty-Year Evolution. New York: Dell, 1971. - Dwoskin, Stephen. Film Is: The International Free Cinema. Woodstock, N.Y.: Overlook, 1975. - Ehrenstein, David. Film: The Front Line, 1984. Denver: Arden, 1984. - Experiment in the Film. Edited by Roger Manvell. London: Grey Walls Press, 1949. - Film as Film: Formal Experiment in Film, 1910-1975. London: Arts Council of Great Britain, 1979. - Form and Structure in Recent Film. Vancouver: Vancouver Art Gallery, 1972. - A History of the American Avant-Garde Cinema. New York: American Federation of the Arts, 1976. - James, David E. Allegories of Cinema: American Film in the Sixties. Princeton: Princeton University Press, 1989. - Keller, Marjorie. The Untutored Eye: Childhood in the Films of Cocteau, Cornell, and Brakhage. Rutherford, N.J.: Fairleigh Dickinson University Press; London: Associated University Presses, 1986. - Lawder, Standish D. The Cubist Cinema. New York: New York University Press, 1975. - Le Grice, Malcolm. Abstract Film and Beyond. Cambridge, Mass.: MIT Press, 1977. - Macdonald, Scott. A Critical Cinema: Interviews with Independent Filmmakers. Berkeley and Los Angeles: University of California Press, 1988. - Mekas, Jonas. Movie Journal: The Rise of the New American Cinema, 1959-71. New York: Collier, 1972. - Mellencamp, Patricia. Indiscretions: Avant-Garde Film, Video, and Feminism. Bloomington: Indiana University Press, 1990. - New Forms in Film. Edited by Annette Michelson. Montreux Exhibition Catalogue, 1974. - Noguez, Dominique. Éloge du cinéma expérimental. Paris: Centre Georges Pompidou, 1979. - Peterson, Sidney. The Dark of the Screen. New York: Anthology Film Archives and New York University Press, 1980. - Polan, Dana B. The Political Language of Film and the Avant-Garde. Ann Arbor: UMI, 1985. - Renan, Sheldon. An Introduction to the American Underground Film. New York: Dutton, 1967. - Rosenbaum, Jonathan. Film: The Front Line—1983. Denver: Arden, 1983. - Rowe, Carel. The Baudelairean Cinema: A Trend within the American Avant-Garde. Ann Arbor: UMI, 1982. - Structural Film Anthology. Edited by Peter Gidal. London: BFI, 1976. - Thoms, Albie. Polemics for a New Cinema. Sydney: Wild & Woolley, 1978. - Tyler, Parker. Underground Film: A Critical History. New York: Grove, 1969. - Vertov, Dziga. Kino-Eye: The Writings of Dziga Vertov. Translated by Kevin O'Brien. Edited by Annette Michelson. Berkeley and Los Angeles: University of California Press, 1984. - Vogel, Amos. Film as a Subversive Art. New York: Random House, 1974.