# Time studies
[Wikipedia](https://en.wikipedia.org/wiki/Philosophy_of_time)
( Ancient–present )
## Description
The philosophy and physics of time, and its treatment in slow/durational cinema — event-driven vs. clock-driven models of time, subjective time distortion, and "time sickness" as theorized in relation to Tarkovsky's cinema.
## Key Tags
#time-studies #durational
## Essential Works
- Odde, Thomas. "Time Sickness in Andrey Tarkovsky's *The Sacrifice*." *Canadian Journal of Film Studies* 18, no. 2 (2009): 66–86. - Direct link between philosophy of time and durational/slow-cinema practice
- Farham. "The Concept of Event-Driven Time." *Physics International* 2, no. 2 (2011): 40–49. - Physics account of time as structured by discrete events rather than continuous flow
## Details
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### Related Concepts
- [[Slow Cinema]] - shares direct interest in cinematic duration, Tarkovsky, and Deleuzian time-image theory
- [[Visual Music]] - Mary Hallock-Greenewalt, inventor of the Sarabet color organ, also wrote on subjective time (*Time Eternal*)
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## References
### Primary Sources Bibliography
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### Secondary Sources Bibliography
Farham. "The Concept of Event-Driven Time." *Physics International* 2, no. 2 (2011): 40–49. [https://doi.org/10.3844/pisp.2011.40.49](https://doi.org/10.3844/pisp.2011.40.49).
Hallock, Mary Elizabeth. *Time Eternal by Mary Hallock-Greenewalt... Lecture Delivered under the Auspices of the Public Libraries of Philadelphia*. n.d.
Odde, Thomas. "Time Sickness in Andrey Tarkovsky's *The Sacrifice*." *Canadian Journal of Film Studies* 18, no. 2 (2009): 66–86. [https://doi.org/10.3138/cjfs.18.2.66](https://doi.org/10.3138/cjfs.18.2.66).